{"id":8314,"date":"2022-01-12T11:27:07","date_gmt":"2022-01-12T11:27:07","guid":{"rendered":"https:\/\/tiagorodrigues.eu\/?page_id=8314"},"modified":"2025-08-24T09:30:44","modified_gmt":"2025-08-24T09:30:44","slug":"sobre","status":"publish","type":"page","link":"https:\/\/tiagorodrigues.eu\/en\/sobre\/","title":{"rendered":"About"},"content":{"rendered":"
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Tiago Rodrigues<\/span><\/h1>\n

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Born in Amadora (Portugal), in 1977. He is an actor, director, playwright, producer and currently Director of the Festival d\u2019Avignon, in France.<\/span><\/p>\n

Since he started as an actor, 25 years ago, Tiago Rodrigues has always looked at the theatre as a human assembly: a place where people meet, like in a cafe, to confront their thoughts and share their time.\u00a0<\/span><\/p>\n

In 1997, when he was still a student, he started to work with the company tg STAN, co-creating and performing shows in English and French, in more than 15 countries. When he first started working with this Belgian collective, the freedom he found would forever influence his future works, confirming his attachment to the absence of hierarchy in a creative group.<\/span><\/p>\n

He co-founded with Magda Bizarro in 2003 the theatre company Mundo Perfeito where, during 11 years, he created and presented more than 30 performances in more than 20 countries, becoming a regular presence in festivals like Festival d\u2019Automne \u00e0 Paris, METEOR Festival in Norway, Theaterformen in Germany, Festival TransAm\u00e9riques in Canada, kunstenfestivalsdesarts in Belgium, among others. He collaborated with a large number of Portuguese and international theatre artists, as well as choreographers and dancers.<\/span><\/p>\n

He also taught theatre in several schools, like the contemporary dance school PARTS, in Brussels, directed by choreographer Anne Teresa De Keersmaeker, the Swiss performing arts school Manufacture, the international project \u00c9cole des Ma\u00eetres and Portuguese schools, such as the University of \u00c9vora, ESMAE, Ballesteatro or the Higher School of Dance, in Lisbon. He directed research, training and experimentation projects. Parallel to his theatre work, he wrote screenplays for film and television, pieces for newspapers, poetry and essays.\u00a0<\/span><\/p>\n

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During the past years, he obtained international recognition and several national and international awards. Some of his most notable works are 'By Heart' (2013), 'Antony and Cleopatra' (2014), 'Bovary' (2014) or 'Sopro' (2017). He maintained his collaborative work in projects like 'The way she dies' (2019), that he wrote for the tg STAN, or 'Please Please Please' (2019), co-created with the choreographers La Ribot and Mathilde Monnier. His most recent works are 'Catarina and the beauty of killing fascists' (2020), 'The Cherry Orchard' (2021), his first staging of a repertoire text, that premiered at the Cour d'Honneur of Palais des Papes during the Festival d'Avignon 2021, 'Lovers' Choir' (2021), 'Dans la mesure de l\u2019impossible' (2022), created at the Com\u00e9die de Gen\u00e8ve, or 'Hecuba, not Hecuba' (2024), created with Com\u00e9die-Fran\u00e7aise.<\/p>\n

Either mixing true stories and fiction, rewriting classics or adapting novels, the theatre of Tiago Rodrigues is deeply rooted in the idea of writing for and with the actors, searching for a poetical transformation of reality through theatrical tools. That desire is evident in projects such as 'Occupation Bastille' (2016), an artistic occupation of Th\u00e9\u00e2tre de la Bastille, in Paris, by almost a hundred artists and spectators.<\/p>\n

In 2018 he was awarded XV Europe Prize Theatrical Realities. In April 2019 he was distinguished by the French Republique with the title Chevalier de l\u2019Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters), and in December of the same year, he received the Pr\u00e9mio Pessoa, the most prestigious award for arts and science in Portugal. In December 2021 the Portuguese Government has distinguished him with the Medal of Cultural Merit.<\/p>\n

He was Artistic Director of the Teatro Nacional D. Maria II in Lisbon during 7 years, between 2015 and 2021, developing a project of artistic renewal of this centenary institution and an important work of democratization, public renovation and circulation throughout the national and international territory.<\/span><\/p>\n

Since September 2022 he is the Director of Festival d\u2019Avignon, in France.<\/span><\/p>\n

His work has been recognized by his ability to break borders between the theatre and different realities, challenging our perception of social and historical phenomenon. Throughout his career, Tiago Rodrigues has become a builder of bridges between cities and countries, at once host and advocate of a living theatre.\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n

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Theatre Creations<\/strong>:<\/span><\/h2>\n

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The Distance <\/strong>(2025)
<\/strong>Text and direction: Tiago Rodrigues
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No Yogurt for the Dead \u2013 Histoire(s) du Th\u00e9\u00e2tre VI <\/strong>(2025)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Lovers\u2019 Choir - Greece<\/strong> (2024)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Hecuba, not Hecuba<\/strong> (2024)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Tristan and Iseult<\/strong> (2023)<\/span>
Direction: Tiago Rodrigues<\/span>

Dans la mesure de l’impossible<\/strong> (2022)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Lovers' Choir<\/strong> (2021)<\/span>
Text and direction: Tiago Rodrigues<\/span>

The Cherry Orchard<\/strong> (2021)<\/span>
Text: Anton Tchekhov<\/span>
Direction: Tiago Rodrigues<\/span>

Catarina and the beauty of killing fascists<\/strong> (2020)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Um outro fim para a Menina J\u00falia<\/strong> (2019)<\/span>
Creation by Tiago Rodrigues from August Strindberg<\/span>

Please Please Please<\/strong> (2019)<\/span>
Creation: La Ribot, Mathilde Monnier and Tiago Rodrigues<\/span>

Perigo Feliz<\/strong> (2018)<\/span>
Direction: Tiago Rodrigues (integrated in the project \u00c9cole des Ma\u00eetres)<\/span>

Nada acontece como planeamos<\/strong> (2018)<\/span>
Text and direction: Tiago Rodrigues (for the finalist students of La Manufacture \u2013 Haute \u00c9cole des Arts de la Sc\u00e8ne)<\/span>

Sopro<\/strong> (2017)<\/span>
Text and direction: Tiago Rodrigues<\/span>

The way she dies <\/strong>(2017)<\/span>
Text and concept: Tiago Rodrigues<\/span>
Cocreation and interpretation: Frank Vercruyssen, Isabel Abreu, Jolente de Keersmaeker and Pedro Gil<\/span>

Library <\/strong>(2016)<\/span>
Text and concept: Tiago Rodrigues<\/span>

Bovary \u2013 French version<\/strong> (2016)<\/span>
Text and direction: Tiago Rodrigues, from Gustave Flaubert\u00a0<\/span>

Je t\u2019ai vu pour la premi\u00e8re fois au Th\u00ea\u00e1tre de la Bastille <\/strong>(2016)<\/span>
Concept and direction: Tiago Rodrigues<\/span>

Iphigenia<\/strong> (2015)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Agamemnon<\/strong> (2015)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Electra<\/strong> (2015)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Perna Esquerda de Tchaikovski <\/strong>(2015)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Antony and Cleopatra<\/strong> (2014)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Bovary <\/strong>(2014)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Interpreta\u00e7\u00e3o<\/strong> (2014)<\/span>
Text: Jacinto Lucas Pires<\/span>
Direction: Tiago Rodrigues<\/span>

By Heart <\/strong>(2013)<\/span>
Text, direction and interpretation: Tiago Rodrigues<\/span>

Pe\u00e7a Rom\u00e2ntica para um teatro fechado<\/strong> (2013)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Between the lines<\/strong> (2013)<\/span>
Text: Tiago Rodrigues<\/span>
Direction: Tiago Rodrigues and T\u00f3nan Quito<\/span>

Mundo Maravilha <\/strong>(2012)<\/span>
Cocreation: Alex Cassal, Andr\u00e9 Calado, Cl\u00e1udia Gaiolas, Felipe Rocha, Magda Bizarro, Paula Diogo, Renato Linhares, Stella Rabello and Tiago Rodrigues\u00a0<\/span>

Tr\u00eas dedos abaixo do joelho <\/strong>(2012)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Tristeza e alegria na vida das girafas<\/strong> (2011)<\/span>
Text and direction: Tiago Rodrigues<\/span>

The Jew <\/strong>(2011)<\/span>
Cocreation: Gillis Biesheuvel, Gon\u00e7alo Waddington, Kuno Bakker, Manja Topper and Tiago Rodrigues\u00a0<\/span>

Long Distance Hotel (Revisited) <\/strong>(2011)\u00a0<\/span>
Cocreation: Gilles Polet, Goran Sergej Pristas, Judith Davis, Leo Preston, Tiago Rodrigues and T\u00f3nan Quito<\/span>

Bela Adormecida<\/strong> (2010)<\/span>
Text and direction: Tiago Rodrigues<\/span>

Hotel Lut\u00e9cia <\/strong>(2010)<\/span>
Texts: Tim Etchells, Alex Cassal, Miguel Castro Caldas, Jos\u00e9 Maria Vieira Mendes, Tiago Rodrigues, Jacinto Lucas Pires and Nature Theater of Oklahoma\u00a0<\/span>
Direction: Tiago Rodrigues<\/span>

Long Distance Hotel<\/strong> (2010)<\/span>
Cocreation: Gilles Polet, Goran Sergej Pristas, Judith Davis, Leo Preston, Tiago Rodrigues and T\u00f3nan Quito<\/span>

Se uma janela se abrisse <\/strong>(2010)<\/span>
Text and direction: Tiago Rodrigues<\/span>

O que se leva desta vida <\/strong>(2009)<\/span>
Creation: Gon\u00e7alo Waddington e Tiago Rodrigues<\/span>

Cart\u00f5es de visita<\/strong> (2009)<\/span>
Performances from: Alex Cassal, Cla\u00fadia Gaiolas, Felipe Rocha, Michel Blois, Paula Diogo, Thiare Maia and Tiago Rodrigues<\/span>

Sempre<\/strong> (2009)<\/span>
Cocreation: Alex Cassal, Cl\u00e1udia Gaiolas, Felipe Rocha, Magda Bizarro, Michel Blois, Paula Diogo, Thiare Maia and Tiago Rodrigues<\/span>

Pedro procura In\u00eas<\/strong> (2009)<\/span>
Cocreation: Alex Cassal, Cl\u00e1udia Gaiolas, Felipe Rocha, Magda Bizarro, Michel Blois, Paula Diogo, Thiare Maia and Tiago Rodrigues<\/span>

Bobby Sands vai morrer Thatcher assassina! <\/strong>(2009)<\/span>
Cocreation: Alex Cassal, Cl\u00e1udia Gaiolas, Felipe Rocha, Magda Bizarro, Michel Blois, Paula Diogo, Thiare Maia and Tiago Rodrigues<\/span>

A Festa <\/strong>(2008)<\/span>
Text: Filipe Homem Fonseca, Nelson Guerreiro and Tiago Rodrigues<\/span>

Yesterday\u2019s Man <\/strong>(2007)<\/span>
Creation: Rabih Mrou\u00e9, Tiago Rodrigues and Tony Chakar<\/span>

A partir de amanh\u00e3 <\/strong>(2007)<\/span>
Text: Tiago Rodrigues<\/span>
Direction and interpretation: Cl\u00e1udia Gaiolas<\/span>

Urg\u00eancias 2007<\/strong> (2007)<\/span>
Short plays from: In\u00eas Meneses, Joaquim Horta, Jos\u00e9 Lu\u00eds Peixoto, Jos\u00e9 Maria Vieira Mendes, Mickael de Oliveira and Rui Cardoso Martins<\/span>
Direction: Tiago Rodrigues<\/span>

Duas Metades <\/strong>(2007)<\/span>
Texts: Patr\u00edcia Portela and Tiago Rodrigues<\/span>
Cocreation: Cl\u00e1udia Gaiolas, Magda Bizarro, Tiago Rodrigues, Thomas Walgrave and T\u00f3nan Quito<\/span>

Urg\u00eancias 2006 <\/strong>(2006)<\/span>
Short plays from: Filipe Homem Fonseca, Jo\u00e3o Quadros, Lu\u00eds Filipe Borges, Nelson Guerreiro, Nuno Artur Silva, Nuno Costa Santos, Patr\u00edcia Portela, Pedro Mexia, Pedro Rosa Mendes, Susana Romana and Tiago Rodrigues<\/span>
Direction: Tiago Rodrigues<\/span>

Azul a cores<\/strong> (2006)<\/span>
Text: Filipe Homem Fonseca<\/span>
Cocreation and interpretation: Margarida Cardeal and Tiago Rodrigues<\/span>

Berenice <\/strong>(2005)<\/span>
Text: Jean Racine\u00a0<\/span>
Cria\u00e7\u00e3o e Interpreta\u00e7\u00e3o de Cathy Naden, Carly Wys, Frank Vercruyssen e Tiago Rodrigues<\/span>

Urg\u00eancias 2004 <\/strong>(2004)<\/span>
Short plays from: Filipe Homem Fonseca, Lu\u00eds Filipe Borges, Nuno Artur Silva, Nuno Costa Santos, Pedro Mexia, Susana Romana and Tiago Rodrigues\u00a0<\/span>
Direction: Tiago Rodrigues<\/span>

Stand-up Tragedy <\/strong>(2003)<\/span>
Text: Lu\u00eds Filipe Borges, Nuno Costa Santos and Tiago Rodrigues<\/span>
Direction: Tiago Rodrigues<\/span><\/p>\n

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Photo 1: \u00a9 Christophe Raynaud de Lage \u2013 Festival d\u2019Avignon<\/span>
Photo 2: \u00a9 Filipe Ferreira<\/span><\/p>\n

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Tiago Rodrigues Nasceu na Amadora (Portugal), em 1977. \u00c9 ator, encenador, dramaturgo, produtor e atual Diretor do Festival d\u2019Avignon, em Fran\u00e7a. Desde que come\u00e7ou a trabalhar como ator, h\u00e1 mais de 25 anos, Tiago Rodrigues sempre abordou o teatro como uma assembleia humana: um local onde as pessoas se encontram, como num caf\u00e9, para discutir […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8314","page","type-page","status-publish","hentry"],"rankMath":{"parentDomain":"tiagorodrigues.eu","noFollowDomains":[],"noFollowExcludeDomains":[],"noFollowExternalLinks":false,"featuredImageNotice":"The featured image should be at least 200 by 200 pixels to be picked up by Facebook and other social media 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